What’s new Bromoils & oil Papers for the bromoil process

Papers for the bromoil process

Writer and photography / George L. Smyth

George L. Smyth gives us a rundown on which Bromoil papers to use.

There was a time when photographic paper was made specifically for the Bromoil process. They were very easy to use and produced wonderful prints. Things became more difficult in the 1950s when the manufacturers began supercoating the paper. This is a clear hardened gelatin layer that lies above the emulsion that protects the paper from scratches during processing. With the advent of digital photography, many papers favoring the Bromoil process have gone away.

The addition of the supercoat makes the process more difficult for the Bromoil printer because this hampers the swelling of the gelatin upon which the process depends. But things have never been easy for this time-consuming, labor-intensive process. Finding the right paper is essential and fortunately there are several papers that can be used.

Welcome back by George L. Smyth.

Fomabrom Variant IV 123

This is a wonderful paper with a cream base that accepts ink well. It is reminiscent of Agfa MCC118, which was a favorite of Bromoil printers when it was available.

Floating past by George L. Smyth.

Kentmere Fineprint

With a clean white base this paper bleaches well and is easy to ink. There is an elevation of contrast that needs to be taken into account and it is recommended that a grade less contrast be used as a starting point.

Katie by George L. Smyth.

Ilford MGIV

This is another fine white base paper that offers contrast similar to Kentmere. This paper exhausts the bleach/tan solution about twice as quickly as other papers.

Please do not sit in the window by George L. Smyth.

Slavich Unibrom

A very nice cream base paper that is very difficult to find in the United States, though it may be available in Europe.

The above papers are all fiber base non-glossy paper. Resin coated paper is not suited for the Bromoil process because its coating prevents the gelatin from swelling enough to control the contrast of the print. Glossy paper offers no “tooth” for the ink and results in smearing. Although it might be possible to use RC or glossy paper, special processing would need to be created to overcome these obstacles.

More 1113 W 36th stairs by George L. Smyth.

Fogged paper

As photographers leave the film realm for the advantages of digital photography, they no longer have use for their old photographic paper. By the time they come to this conclusion, oftentimes the paper they give away has no use to other photographers, as it has become fogged. This is not something that should necessarily deter the Bromoil printer.

The ink in a Bromoil print does not depend upon the silver in the paper, but the swelling of the gelatin. Indeed, the silver is removed in the bleach process, at which point the gelatin is swelled in relation to the sliver content. As long as there is enough variation between the base fog and the darkest shadow elements to make out an image, it should be possible to use the paper.

More 1113 W 36th stairs – original image – by George L. Smyth.

Above is an extreme example of a print that was made from fogged Agfa MCC118 that was given to me. As this paper offered variable contrast, I exposed it with the magenta in the enlarger head at its maximum and the yellow turned off, offering the highest contrast possible. The addition of Benzotriazole to the developer helped minimize the fogging. To the right is a straight print made from this paper, which shows how severely fogged it actually is. Who would have thought that paper destined for the scrap heap could still be used?

George L. Smyth is an American photographer who specializes in the Bromoil process and is a regular lecturer on pinhole photography.

6 thoughts on “Papers for the bromoil process

  1. Cindy – I don’t know of a paper of that name by Kodak (or anyone else). Foma has a number of other papers but I have not tried them. I like to work with a small number of papers so that I can understand their idiosyncrasies and take advantages of their strengths.

    Cheers – george

  2. I seriously doubt it if only because I believe that it will be way too thin. The ink I use is too thick to go into a tube and is available in a can.

    Cheers –


  3. Time passes and this is the case with each of the papers I wrote about in this article. I am going to try to maintain a list of reviews of the papers available for the Bromoil process that I am able to get my hands on in the form of a blog.

    https://BromoilPapers.wordpress.com/ is the location of the blog and the first review is of Foma Fomatone Classic VC FB Warmtone. This will be followed by David Lewis’ paper as well as Imago paper.

    Cheers –


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