Elizabeth Graves experiments with Waldack’s Formulas for Collodion Positives “Formula No. 1. For Dead-Whites” followed by a sodium thiosulfate fixer.
Elizabeth Graves recommends some good organizational habits for wet darkroom, alt-process photographers.
Elizabeth Graves satisfies her curiosity about straying from black to explore wet collodion on deep blue plates.
Elizabeth Graves provides a preview of her recent large format camera-building experiments.
Elizabeth Graves develops another impermanent, non-damaging way to hold thin metal plates in a conventional large format film holder.
Elizabeth Graves remarks on the perils of digital reproduction of analog media in a un-color-calibrated age.
Elizabeth Graves on the mysteries of pricing art for distant shows, what research to do and guidance needed.
Elizabeth Graves on the alt. proc. label on art – loathing it or loving it?
Thoughts from Elizabeth Graves on why new digital imaging technology is often used to imitate the appearance of old, chemical photography.
Elizabeth Graves reviews the first edition of The Impossible Project’s experimental color film, Color Shade First Flush and finds the aged prints resemble color photographs of earlier eras.