LIST OF ILLUSTRATIONS
Figure I
Jan Van Leeuwen, Cyanotype self portrait
Figure II
Mark Sink, Lillies
Figure III
John Herschel, Lady with harp
Figure IV - awaiting permission
Lee Miller, Untitled
Figure V
Malin Hylén, Outline of rope
Figure VI
Patrick Hilferty
Vesselfire: Cyanotype on wood
Figure VII
Malin Hylén, Floating glasses
Figure VIII
Robert Schaefer, Berlin Blau
Figure IXa
Still from Retouched photography sting
Figure IXb
Still from Unretouched photography sting
Figure IXc
Still from Cyanotype sting
Figure Xa
Still from Retouched photography sting
Figure Xb
Still from Unretouched photography sting
Figure Xc
Still from Cyanotype sting
Figure XIa
Still from Retouched photography sting
Figure XIb
Still from Unretouched photography sting
Figure XIc
Still from Cyanotype sting
Figure XII
Malin Hylén, Analysing chart
BIBLIOGRAPHY / RESEARCH RESOURCES
>> Galleries and exhibitions
Flower show, Zelda Cheatle gallery, 99 Mount Street, London,
W1. Cyanotypes by Jill Staples and Joy Gregory, 30th August
1999
The Print Room at the Photographer's Gallery, Newport Street,
London, WC1. Hold some of Lee Miller's prints.
Silver and Syrup exhibition, Canon photography exhibition
room, The Victoria and Albert Museum, Cromwell Road, London,
SW7
>> Miscellaneous sources, associations and libraries
John Benjafield, Historic Impressions, 176 Portobello Road,
W1. Personal conversation on the 30th of October 1999. Deals
in historical prints, probably the only one in London to stock
cyanotypes.
Francis Hodgson (Photography Manager), Photonica Europe Limited
(photographic library), 10 Regents Wharf, All Saints Street,
London, N1 9RL, 020 - 7278 4117 francis.hodgson@photonica.co.uk
Steve Macleod, Metro Art (Part of Metro Imaging), Basement,
31 Great Sutton Street, London, EC1V 0DX, 020 - 7865 0000
Interview on Friday the 5th of March 1999, 10-11am.
Anthony Penrose, Lee Miller Archives, Farley Farmhouse, Muddles
Green, Chiddingly, East Sussex, BN8 6HW. 01825 - 872691. archives@leemiller.co.uk
http://www.leemiller.co.uk Was in contact with Antony Penrose
tony@pengroup.demon.co.uk about solarisation. Permission given
for quoting.
>> Books
Adobe Systems incorporated (1997) Adobe Photoshop 5.0 user
manual
Jan Arnow (1982) Handbook of Alternative Photographic Processes,
Van Nostrand Reinhold
Anna Atkins (1985) Sun Gardens - Victorian photograms, Phaidon
Press Ltd Reproduction of the first book published using cyanotypes.
Brian Coe and Mark Haworth-Booth (1983) A guide to early
photographic processes, Victoria & Albert Museum
William Crawford (1979) The keepers of light - A history
& working guide to early photographic processes, Morgan
& Morgan
David Daye (1998) Special effects photography, Rotovision
SA
Richard Farber (1998) Historic Photographic Processes - A
Guide to Creating Handmade Photographic Images, Allworth Press
Peter Fredrick (1980) Creative sunprinting - early photographic
printing processes rediscovered, Focal press Ltd
Helmut Gernsheim (1961) Creative Photography - Aesthetic
trends 1839-1960, Dover Publications
Ron Graham and Virginia Bolton (1990) Focus on photography,
Hodder & Soughton
Barbara Hewitt (1995) Blueprints on fabric: innovative uses
for cyanotype, Interweave press. Barbara Hewitt, 1400-A Marsten
Road, Burlingame, CA 94010 cyanoprint@aol.com www.blueprintables.com
Permission given for quoting.
Life library of photography (1970) Light and film, Time Inc.
Life library of photography (1976) The print, Time Inc.
Oxford Dictionary of Modern Quotations (1996), Oxford University
Press
Kent Wade (1978) Alternative photographic processes, Morgan&Morgan
Mike Ware (1999) Cyanotype: the history, science and art
of photographic printing in Prussian blue, the Science Museum
and the National Museum of Photography Film and Television
>> Journals
Agfa, Negative density range
http://www.agfaphoto.com/ library/basics/basic04.html
Tafi Brown, Blueprints > Buildings > Quilts, Surface
Design Journal vol. 19 no. 3 Spring 1995 (US textile artist
discusses work which incorporates cyanotypes and photograms.)
Tim Daly, A modern vintage, British Journal of Photography
27.01.99 Tim Daly explains how to recreate early photographic
printing processes in Photoshop.
Martin Evening, Digital Futures, British Journal of Photography
09.05.98
Hope Kingsley, Silverprint Catalogue 1997-1998, Silverprint
Ltd, 12 Valentine Place, London, SE1 8QH. 0171 - 620 0844
Michael Maunder, Mad dogs and Englishmen - Insight into sunlight,
its content, its angle and its effect on photography, AG+
photographic, Timothy Benn publishing, volume 13
Stefan Nilsson, Foto har inget med scanning att göra
(Photography has nothing to do with scanning), Nerikes Allehanda,
Sweden, Saturday 7 November 1998
Jon Tarrant, Something special - five out of the ordinary
methods of creating photographic images, Hotshoe International,
Sept/Oct 1998 issue 98
Mike Ware, A new blueprint for cyanotypes, AG+ photographic,
Timothy Benn publishing, volume 7 Article about the new cyanotype
process.
>> Photographers and artists
The very helpful photographers that I have been in contact
with, discussing processes and values, are marked with *,
the other ones I used their work as a reference. Addresses
correct at time of research.
Kimberly Austin
Agustin Baron
*Eric Boutilier-Brown
Jan-Olov Bovin
*Larry Bullis
Anne Deniau
John Dugdale
*Jean Eger
Robert Farber
*Kenneth Geiger
*Patrick Hilferty
Risa Horowitz
*Terry King
*Jan van Leeuwen
*James Luciana
*Ann McDowell
Susan Moran
*Wim van Oest
*Jerry Orabona
Sheila Pepe
Glen Rogers Perotto
Nancy Rosing-St.Paul
*Jack R. Rupert
*Robert Schaefer
*Judy Seigel
Mary K. Shisler
*Mark Sink
Joe Smigiel
Jeff Stanford
Per Volledal
*Mike Ware
*Wendy Wilson
"How sweet to be a Cloud
Floating in the Blue
It makes him very proud
To be a little cloud"
Winnie-the-Pooh (1926 ch.I)
A.A. Milne 1882-1956 |
